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''One+One Filmmakers Journal'' is a printed and web-based film magazine published in Brighton, England. It was founded in May 2009 as ''One+One The Brighton Filmmakers Journal'' by seven members of the Brighton Filmmakers Coalition, but during 2009 and 2010 it became a separate entity to the Coalition and also dropped its Brighton title affiliation. The journal compromises essays, interviews and manifestos, and runs as a totally Not for profit project, printing a small run of A5 sized magazines distributed to cinemas, cafes and arts venues across the UK and a free to access website. The journal is influenced and informed by radical politics, queer theory, the Avant garde and champions truly independent cinema. It accepts articles from open submission and has expanded to include writers based internationally. Its website claims its intent is to "provoke discussion and critical reassessments in order to influence a fresh, innovative and challenging cinema of the future...It is not a magazine compiled of five star reviews, neither is it a journal of socially detached cold academic prose. One+One seeks to bring the filmmaker and the theorist together, moving forward the task of Cinema and aiding the becoming of the medium." ==History== Seven members of the Brighton Filmmakers Coalition began working on a small for-print journal to discuss ideas arising from their film projects in early 2009. They named the Journal "One+One" in recognition of Jean-Luc Godard's original and preferred title for his film "Sympathy for the Devil" which was renamed by studio producers. They launched their first issue in May 2009 with an event at The Redroaster Cafe, screening films from The Brighton Filmmakers Coalition's first ever filmmaker challenge. The journal cut its affiliation with the Coalition in late 2009 and renamed itself to "One+One Filmmakers Journal" in April 2010. It began accepting submissions from writers worldwide and developed to become a more politically and philosophically engaged journal of ideas, beyond the mere emphasis on filmmaking. It launched its 4th issue with a debate on independent cinema at the Cambridge Film Festival in September 2010, and its 5th issue at the (Brighton Film Festival ) in November 2010. This was followed by the screening and panel discussion "Revolutions in Progress" in December 2011 as part of the (London Underground Film Festival ), which featured contributions by filmmakers, activists and film theorists on the subject of revolution and radical filmmaking. In December 2012 the journal organised a film screening and round table discussion with porn theorists on contemporary understandings of the pornographic called "New Adventures in Pornography." A transcript of the discussion from this event was made available on the One+One website and an abridged version in the 10th issue of the journal. In December 2013, ''One+One'' screened Rosa Von Praunheim's 1970 classic film It's Not The Homosexual Who Is Perverse But The Society In Which He Lives, followed by a panel Q&A at the London Underground Film Festival. ''One+One'' is currently edited by Bradley Tuck, Greg Scorzo and Liz Soden. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「One+One Filmmakers Journal」の詳細全文を読む スポンサード リンク
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